{"id":1140,"date":"2017-12-01T18:03:47","date_gmt":"2017-12-01T23:03:47","guid":{"rendered":"http:\/\/cieco.umontreal.ca\/?p=1140"},"modified":"2022-03-31T09:51:55","modified_gmt":"2022-03-31T13:51:55","slug":"publication-3","status":"publish","type":"post","link":"http:\/\/cieco.umontreal.ca\/en\/publication-3\/","title":{"rendered":"Publication"},"content":{"rendered":"

\"\"<\/p>\n

FRASER, Marie et Florence-Agathe DUB\u00c9-MOREAU, “Performer la collection. Comment le reenactment<\/em> performe-t-il ce qu’il recr\u00e9e ?”, Interm\u00e9dialit\u00e9s<\/em>, Num\u00e9ro 28-29, automne 2016, printemps 2017.<\/p>\n

Abstract<\/strong>
\nLes recherches r\u00e9centes en histoire de l\u2019art et en mus\u00e9ologie
\nrelient les pratiques du \u00ab re- \u00bb \u00e0 l\u2019histoire de la performance et
\nde l\u2019exposition ainsi qu\u2019\u00e0 un engouement pour les retours vers
\nle pass\u00e9, en leur attribuant une fonction m\u00e9morielle ou
\nd\u2019hommage. Mais le reenactment n\u2019implique pas seulement la
\nremise en acte d\u2019une oeuvre en soi; son processus
\nd\u2019actualisation remet \u00e9galement en jeu des m\u00e9canismes
\nhistoriques et discursifs. Cet article tente de red\u00e9finir et
\nd\u2019approfondir cette notion en art contemporain \u00e0 partir de
\ntrois \u00e9tudes de cas : Nachbau (Reconstruction) de Simon
\nStarling (2007), Just Pompidou it. R\u00e9trospective du Centre
\nPompidou d\u2019Alexandra Pirici & Manuel Pelmus (2014) et Artist
\nTour Guide de Maria Hupfield (2014). En travaillant avec des
\ncollections mus\u00e9ales, ces artistes opposent la pratique du
\nreenactment \u00e0 un syst\u00e8me fig\u00e9, lin\u00e9aire et hi\u00e9rarchis\u00e9, et
\npointent la n\u00e9cessit\u00e9 de renouveler continuellement la relation
\ndu mus\u00e9e \u00e0 l\u2019histoire. Si le reenactment a le potentiel de
\n\u00ab performer la collection \u00bb, c\u2019est non seulement en raison de sa
\nperformativit\u00e9, d\u00e9j\u00e0 reconnue par plusieurs auteurs, mais
\n\u00e9galement de sa r\u00e9flexivit\u00e9 et de sa temporalit\u00e9 anachronique,
\nque nous d\u00e9signons ici comme sa double historicit\u00e9.<\/p>\n

URI :
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