{"id":1124,"date":"2017-11-03T18:15:16","date_gmt":"2017-11-03T22:15:16","guid":{"rendered":"http:\/\/cieco.umontreal.ca\/?p=1124"},"modified":"2022-03-31T09:52:00","modified_gmt":"2022-03-31T13:52:00","slug":"conferences","status":"publish","type":"post","link":"http:\/\/cieco.umontreal.ca\/en\/conferences\/","title":{"rendered":"Conferences"},"content":{"rendered":"

\"\"<\/p>\n

8 novembre 2017 \u00e0 17h30 \u00e0 la Galerie de l’UQAM
\n10 novembre 2017 \u00e0 10h00 \u00e0 l’Universit\u00e9 de Montr\u00e9al<\/p>\n

Biographie de J\u00e9r\u00f4me Glicenstein :<\/p>\n

Artiste et th\u00e9oricien, J\u00e9r\u00f4me Glicenstein est professeur au d\u00e9partement Arts plastiques de l\u2019universit\u00e9 Paris 8. Il y a cr\u00e9\u00e9, en 2009, un master en M\u00e9diation de l\u2019art contemporain et g\u00e8re une galerie universitaire. Entre autres programmes de recherche, il a \u00e9t\u00e9 porteur d\u2019un projet Labex consacr\u00e9 \u00e0 l\u2019histoire des expositions au 20e si\u00e8cle, fruit d\u2019un partenariat avec le Centre Pompidou (2011-2015). Il est \u00e9galement responsable de la r\u00e9daction de la revue Marges (PUV) depuis 2003. Ses publications r\u00e9centes comprennent aux Presses universitaires de France L\u2019Art : une histoire d\u2019expositions, en 2009, L\u2019Art contemporain entre les lignes, en 2013, et L\u2019Invention du curateur, en 2015. Il a \u00e9galement codirig\u00e9 avec Bernadette Dufr\u00eane le volume collectif Histoire(s) d\u2019exposition(s) \/ Exhibitions\u2019 Stories chez Hermann, en 2016. Para\u00eetront prochainement plusieurs articles : \u00ab Adh\u00e9rer ou r\u00e9sister : la relation ambivalente des artistes aux mus\u00e9es \u00bb, dans le num\u00e9ro de Mus\u00e9ologies consacr\u00e9 \u00e0 la \u00ab carte blanche \u00bb, dirig\u00e9 par M\u00e9lanie Boucher et Genevi\u00e8ve Chevalier, Montr\u00e9al ; \u00ab Tous les futurs de l\u2019exposition \u00bb, Figures de l\u2019art, Pau, Presses universitaires de Pau ; \u00ab L\u2019histoire de l\u2019exposition comme performance : An Immaterial Retrospective of the Venice Biennale \u00bb, dans Archives, disparition, recr\u00e9ation : jeu et rejeu dans les arts, Saint-Denis, Presses universitaires de Vincennes.<\/p>\n","protected":false},"excerpt":{"rendered":"Conf\u00e9rences de J\u00e9r\u00f4me Glicenstein \u00e0 la Galerie de l\u2019UQAM et \u00e0 l\u2019Universit\u00e9 de Montr\u00e9al","protected":false},"author":6,"featured_media":1130,"comment_status":"closed","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activite"],"_links":{"self":[{"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/comments?post=1124"}],"version-history":[{"count":10,"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/posts\/1124\/revisions"}],"predecessor-version":[{"id":1137,"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/posts\/1124\/revisions\/1137"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/media\/1130"}],"wp:attachment":[{"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/media?parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/categories?post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/cieco.umontreal.ca\/en\/wp-json\/wp\/v2\/tags?post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}